๐‚๐š๐ฌ๐š ๐€๐ฅ๐›๐šฬ† โ€“ ๐ฌ๐ข๐ฆ๐›๐จ๐ฅ๐ฎ๐ฅ ๐ฆ๐จ๐๐ž๐ซ๐ง๐ข๐ญ๐šฬ†๐ญฬฆ๐ข๐ข ๐ข๐ง๐ญ๐ž๐ซ๐›๐ž๐ฅ๐ข๐œ๐ž ๐œ๐ซ๐š๐ข๐จ๐ฏ๐ž๐ง๐ž

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รŽn inima Craiovei, la intersecศ›ia strฤƒzilor A.I. Cuza ศ™i Th. Aman, se aflฤƒ o clฤƒdire care spune povestea รฎnceputului de secol XX: ๐‚๐š๐ฌ๐š ๐€๐ฅ๐›๐šฬ† โ€“ un reper al eleganศ›ei ศ™i al modernitฤƒศ›ii urbane.
๐‘๐ข๐๐ข๐œ๐š๐ญ๐šฬ† ๐ขฬ‚๐ง ๐ฃ๐ฎ๐ซ๐ฎ๐ฅ ๐š๐ง๐ฎ๐ฅ๐ฎ๐ข ๐Ÿ๐Ÿ—๐Ÿ๐ŸŽ, ๐๐ฎ๐ฉ๐šฬ† ๐ฉ๐ฅ๐š๐ง๐ฎ๐ซ๐ข๐ฅ๐ž ๐š๐ซ๐ก๐ข๐ญ๐ž๐œ๐ญ๐ฎ๐ฅ๐ฎ๐ข ๐‚๐จ๐ง๐ฌ๐ญ๐š๐ง๐ญ๐ข๐ง ๐ˆ๐จ๐ญ๐ณ๐ฎ (๐Ÿ๐Ÿ–๐Ÿ–๐Ÿ’โ€“๐Ÿ๐Ÿ—๐Ÿ”๐Ÿ), ๐‚๐š๐ฌ๐š ๐€๐ฅ๐›๐šฬ† ๐š ๐Ÿ๐จ๐ฌ๐ญ ๐ฎ๐ง๐š ๐๐ข๐ง๐ญ๐ซ๐ž ๐ฉ๐ซ๐ข๐ฆ๐ž๐ฅ๐ž ๐œ๐จ๐ง๐ฌ๐ญ๐ซ๐ฎ๐œ๐ญฬฆ๐ข๐ข ๐๐ข๐ง ๐จ๐ซ๐š๐ฌฬฆ ๐œ๐š๐ซ๐ž ๐š๐ฎ ๐ข๐ง๐ญ๐ž๐ ๐ซ๐š๐ญ ๐ฉ๐ซ๐ข๐ง๐œ๐ข๐ฉ๐ข๐ข๐ฅ๐ž ๐ฌฬฆ๐œ๐จ๐ฅ๐ข๐ข ๐๐ž ๐ฅ๐š โ€ž๐๐š๐ฎ๐ก๐š๐ฎ๐ฌโ€, ๐œ๐ฎ๐ซ๐ž๐ง๐ญ ๐š๐ซ๐ก๐ข๐ญ๐ž๐œ๐ญ๐ฎ๐ซ๐š๐ฅ ๐œ๐ž ๐ฉ๐ฎ๐ง๐ž๐š ๐š๐œ๐œ๐ž๐ง๐ญ ๐ฉ๐ž ๐ž๐œ๐ก๐ข๐ฅ๐ข๐›๐ซ๐ฎ, ๐ฉ๐ซ๐จ๐ฉ๐จ๐ซ๐ญฬฆ๐ข๐ž ๐ฌฬฆ๐ข ๐Ÿ๐ฎ๐ง๐œ๐ญฬฆ๐ข๐จ๐ง๐š๐ฅ๐ข๐ญ๐š๐ญ๐ž.
Constantin Iotzu a reuศ™it sฤƒ รฎmbine spiritul modern al vremii cu rafinamentul tradiศ›iei, dรขnd naศ™tere unei clฤƒdiri care a devenit, รฎn timp, un adevฤƒrat simbol al Craiovei interbelice.
โ–ถ๏ธDestinatฤƒ iniศ›ial funcศ›ionarilor Bฤƒncii Comerศ›ului, Casa Albฤƒ a fost conceputฤƒ ca un ansamblu multifuncศ›ional: 44 de apartamente ศ™i spaศ›ii comerciale la parter โ€“ o noutate pentru perioada respectivฤƒ, cรขnd confortul, eleganศ›a ศ™i utilitatea รฎncepeau sฤƒ modeleze viaศ›a citadinฤƒ. Clฤƒdirea, inspiratฤƒ de modelul locuinศ›elor negustoreศ™ti, vorbeศ™te despre o arhitecturฤƒ practicฤƒ, gรขnditฤƒ pentru comerศ› ศ™i locuire.
๐Ÿ”ท๐‘ˆ๐‘› ๐‘’๐‘™๐‘’๐‘š๐‘’๐‘›๐‘ก ๐‘‘๐‘–๐‘ ๐‘ก๐‘–๐‘›๐‘๐‘ก๐‘–๐‘ฃ ๐‘’๐‘ ๐‘ก๐‘’ ๐‘Ž๐‘๐‘œ๐‘๐‘’๐‘Ÿ๐‘–๐‘ ฬฆ๐‘ข๐‘™ ๐‘“๐‘Ÿ๐‘Ž๐‘”๐‘š๐‘’๐‘›๐‘ก๐‘Ž๐‘Ÿ, ๐‘๐‘ข ๐‘๐‘œ๐‘™๐‘กฬฆ๐‘ข๐‘™ ๐‘ก๐‘Žฬ†๐‘–๐‘Ž๐‘ก ๐‘™๐‘Ž 45ยฐ, ๐‘œ๐‘Ÿ๐‘–๐‘’๐‘›๐‘ก๐‘Ž๐‘ก ๐‘๐‘Žฬ†๐‘ก๐‘Ÿ๐‘’ ๐‘Ž๐‘๐‘ก๐‘ข๐‘Ž๐‘™๐‘ข๐‘™ ๐‘ ๐‘’๐‘‘๐‘–๐‘ข ๐‘Ž๐‘™ ๐‘๐‘Ÿ๐‘–๐‘š๐‘Žฬ†๐‘Ÿ๐‘–๐‘’๐‘–. Acesta se รฎncheie printr-o succesiune de turnuri, creรขnd o tranziศ›ie vizualฤƒ รฎntre Turla รŽnaltฤƒ Verde a Palatului Administrativ โ€“ Prefecturฤƒ ศ™i Cupola Universitฤƒศ›ii.
๐Ÿ•ฐ๏ธAstฤƒzi, Casa Albฤƒ rฤƒmรขne una dintre cele mai frumoase expresii ale modernismului interbelic din Craiova โ€“ o clฤƒdire care respirฤƒ istorie ศ™i rafinament, o amprentฤƒ durabilฤƒ a unui timp รฎn care estetica ศ™i funcศ›ionalitatea mergeau mรขnฤƒ รฎn mรขnฤƒ.
Casa Albฤƒ nu este doar o clฤƒdire, ci un simbol al patrimoniului arhitectural al Craiovei โ€“ un martor tฤƒcut al unei epoci รฎn care modernitatea se nฤƒศ™tea din echilibru, eleganศ›ฤƒ ศ™i vis.
โœ”๐“๐ž๐ฑ๐ญ: Camelia Sฤƒvescu, Referent de Specialitate, Biroul de Marketing, Muzeul Olteniei.
๐Ÿ“š๐๐ข๐›๐ฅ๐ข๐จ๐ ๐ซ๐š๐Ÿ๐ข๐ž: Cristian Andrei Scaiceanu, ๐ถ๐‘Ÿ๐‘Ž๐‘–๐‘œ๐‘ฃ๐‘Ž ๐‘‘๐‘’ ๐‘Ž๐‘™๐‘ก๐‘Žฬ†๐‘‘๐‘Ž๐‘ก๐‘Žฬ†, Editura Oscar Print, 2020; Magda Buce Rฤƒduศ›, ๐‘‡๐‘Ÿ๐‘’๐‘๐‘ข๐‘ก๐‘ข๐‘™ ๐‘–ฬ‚๐‘› ๐ถ๐‘Ÿ๐‘Ž๐‘–๐‘œ๐‘ฃ๐‘Ž ๐‘‘๐‘’ ๐‘Ž๐‘ ๐‘ก๐‘Žฬ†๐‘ง๐‘–, (ediศ›ia a II-a, bilingvฤƒ), Editura Aius, 2018.
๐Ÿ“ธ๐…๐จ๐ญ๐จ๐ ๐ซ๐š๐Ÿ๐ข๐ข ๐ญ๐ข๐ฉ ๐œ๐š๐ซ๐ญ๐ž ๐ฉ๐จ๐ฌฬฆ๐ญ๐š๐ฅ๐šฬ† โ€“ din Colecศ›ia de Cฤƒrศ›i Poศ™tale a Muzeului Olteniei Craiova.